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For Sale Real Estate: Duxeralm
At the heart of lively Kas­telruth there is a quiet house that has placed zeit­geist and a tho­roughly essential archi­tecture in front of the majestic Sciliar. The tim­eless pre­sence of the rock massif is omni­present, the holiday concept is who­lesome, warm and grounding.

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Houses

Designed by archi­tects for travel enthu­siasts: Our curated coll­ection of out­standing holiday acco­mo­da­tions — also via map. Do you already know our new entry?

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The world is a gentle place ‑ The Schga­guler

In the heart of lively Kastelruth there is a quiet hideaway: a gentle, cosmopolitan house that has placed zeitgeist and thoroughly essential architecture and design in front of the majestic mountain backdrop of the Sciliar. The timeless presence of the rock massif is omnipresent, the holiday concept is wholesome, warm and grounding. The Schaguler is - inside and out - a revelation.

by Britta Krämer in June 2023

 Die Welt ist ein sanfter Ort – Das Schga­guler in  /

Enchanted mountain.

A sea of densely clus­tered houses, alpine roofs, gables and gera­niums: As if it had sprung from the scenery of a miniature railway, Cas­tel­rotto presents itself to all those who wind their way uphill via the major access roads from Bolzano or Bress­anone. Most of the neatly white plas­tered resi­dences look con­tem­pla­tively in the same direction: towards the legendary Sciliar, which radiates pure peace.

The land­scape around the mountain massif is a UNESCO World Heritage Site and up here the South Tyrolean muni­ci­pality is pretty much playing all the tricks to beguile mountain lovers: The Alpe di Siusi and the Sciliar-Catin­accio Nature Park are a paradise in summer and winter, alpine huts invite you to savour local pro­ducts and culture enthu­siasts may want to explore the castle of trou­badour Oswald von Wol­ken­stein or stroll through the narrow maze of alleys in his­toric Cas­tel­rotto, past venerable buil­dings with painted facades all the way to the magni­ficent Baroque Church of St. Peter and Paul and its towering steeple.

The name of the pretty Dolomite village is no longer just a place for yodelling sparrows, for Cas­tel­rotto is open for young and visionary pro­jects, too: Not far from the village square, for ins­tance — the stone giant always in sight — a trans­for­mation has taken place that shows that tra­dition and zeit­geist, roots and cos­mo­po­li­tanism, Zen and loden can make a dream team. Even better: when reduced to the essence, they unfold their deepest impact. And that is truly won­derful.

Landmark.

The long-estab­lished hotelier family Schga­guler and the Milan-based firm Peter Pichler Archi­tecture have set a silent but unequi­vocal statement with the radical redesign of the tra­di­tional resi­dence from the 1980s, which was carried out in just three months in 2018. Ever­y­thing super­fluous has dis­ap­peared, giving space to the very essence. The new Schga­guler now reso­nates with light, airy archi­tecture that embodies a mindful, con­tem­porary approach to building and holi­daying in a local context with clear forms and well-curated content.

You don’t have to look for it for long: The hotel stands compact and with a bright façade on a steep slope before the church tower, immersed in its quiet dia­logue with the Sciliar mountain. Like a child’s drawing, the angular con­tours of the three mono­lithic ele­ments sketch the archaic shape of local roofs and echo the sil­hou­ettes of the rocky peaks.

To the south and towards the mountain, the house appears as a five-storey building sitting on a broad plinth. Here, a honeycomb structure of glass fronts and deep, shady loggias with trans­parent balust­rades define the view. The ent­rance side, which opens up towards the town, plays on three levels with all degrees of insight and intimacy.

41 rooms and suites open onto the mountain land­scape, the huge city suite faces the iconic church tower. The reduced archi­tecture stands out and yet blends modestly into the context. The longer the gaze hovers on it, the clearer it gets: The building is a visual haven. When night falls, the Schga­guler becomes a warmly glowing “lantern house”, as the locals refer to it bene­vo­lently, because they know: Their village has gained a quiet landmark.

Meta­mor­phosis.

Today’s tri­partite complex is based on a structure that was built by Gott­fried and Lisi Schga­guler in 1986 as a resi­dence with holiday apart­ments. Over the years, it underwent a con­stant evo­lution until the family decided on a con­sistent redesign as part of the gene­ra­tional tran­sition. The sceptre was handed down and Martin, Sandra, Tobias and Peter Schga­guler were given carte blanche to lead the house into a new era with young and fresh ideas. The intention was not just to modernise the rooms and wellness area; above all, the family wanted to establish a new approach to hos­pi­tality and make the hotel itself become a desti­nation.

The new Schga­guler is indeed much more than just a base camp for mountain adven­tures. It is a place of inspi­ration that for the har­mo­nious ménage à trois between archi­tecture, nature and man con­tem­plates the legacy of the Dolo­mites: the sleek aes­thetics of their alpine huts, the authentic sim­plicity of the mountain people and stone in its purest archetype. In the quiet dia­logue of these realms and in their careful, con­tem­porary inter­pre­tation, the soothing essence of the Schga­guler unfolds.

The hote­liers found the appro­priate architect by means of an open com­pe­tition. The tricky challenge was a time limit of three months for the con­s­truction, which was the maximum granted by Kas­tel­ruth’s tight season calendar. In the end, Peter Pich­ler’s purist design got the go-ahead, opting against demo­lition and for a con­tem­porary trans­for­mation of the existing building. Pich­ler’s holistic planning approach pro­vided a con­tem­porary answer to the demand for a respectful dia­logue with the heritage and essence of the site. The inter­vention envi­saged ridding the old structure of all unnecessary adornment in order to bring calm and clarity to the spaces and con­tours: Alpine mini­malism — far away from the “Stadel” look.

The con­crete structure of the three existing buil­dings was retained, the rest was com­pletely gutted and a level of light­weight con­crete and wood was added so as not to over­burden the existing structure. Pichler opened up the tra­di­tional house in order to bring day­light, warmth and nature to the inside.

The expressive exo­ske­leton façade is emble­matic of the identity of the Schga­guler: its light grey lime plaster is inspired by the rock, its glass sur­faces reflect the sky and the stony tim­e­l­essness of the Dolo­mites. The same aura of this unpre­ten­tious, natural grandeur and ele­gance also cha­rac­te­rises the interior of the hotel. It recalls the sim­plicity of alpine lodgings and yet serves the modern, dis­cerning guest requi­re­ments with style and in subtle tones.

In this way, the Schga­guler also becomes a mirror of the people and talents who act here: its cha­racter is just like that of the host family itself: Dis­creet, present, gentle, sophisti­cated and wel­coming.

Nuances of silences.

The very moment of arrival becomes the first ritual of rela­xation: at check-in, the full, unhurried attention is given to the guest — not to the ID papers. Like during a gentle head massage, tension dis­solves into ease and the senses align them­selves in the puristic, pleasant ambience.

These first holiday moments are cele­brated with a wild­flower-herb drink on the pan­orama terrace or in the splendid hotel bar, the bright, casual heart of the hotel. Depending on the time of day and the vibe, it may be a cosy fireside lounge, a casual chill-out lounge or a quiet library. Here you sit with a far-rea­ching view and all the time in the world, your eyes full of joyful anti­ci­pation, in your gut the pleasant feeling that ever­y­thing is fine and familiar. The reception desk in the foyer is a simple block of grey gneiss, more of an altar than a table. And indeed, the serene space that wel­comes you here has an almost sacred feel.

The Schga­guler is a sanc­tuary that fills every moment, every corner of the house with soothing tran­quillity. This in no way means that you have to sneak in quietly and speak in whispers, rather you natu­rally feel the longing and need to hold on, to become still and to listen to your inner self. The fact that the thick, grey wool car­peting softly and sil­ently cushions every step and trans­forms the path through the stairwell and cor­ridors into a con­tem­plative pro­menade is a small but pleasant detail. One of many.

The interior, co-designed by Peter Pichler and Martin Schga­guler, is a tim­eless homage to the essence of the Dolo­mites. The purist fur­nis­hings were custom-made by local car­penters and com­ple­mented by iconic chairs by Takeshi Nii, Santiago Roqueta or Hans J. Wegner. The focus is on the haptic and emo­tional per­ception of mate­riality and turns every room — bath­rooms included — into a sen­sorial expe­rience.

The tran­si­tions between the sleek rooms with open floor plans and their private loggias are fluid, inside, a soundless cho­reo­graphy of subtle light and colour plays out on warm chestnut wood, tex­tured plaster and syn­thetic resin in matt, earthy tones. Rays of sun­light caress the bed, the free­standing bathtub becomes a steaming Bel­vedere. The visual, zen-like calm creates reso­nating spaces that vibrate softly and confer a ritual touch to every single moment: Gazing, resting, bathing, reading, walking barefoot, being. Like a soothing balm for the soul to dwell in.

Saxum.

The healing, enig­matic essence and audible silence of the moun­tains also per­meates the hotel’s inte­riors thanks to the large-format pho­to­graphs of Martin Schga­gu­ler’s Saxum series. He is the only one of the siblings to have left his home village and, after detours via Lau­sanne and London, arrived in Switz­erland, from where the designer and photo artist regu­larly comes to the Schga­guler to guide a small group of guests on a three-day adventure that has a powerful effect: a pho­to­graphic excursion through the barren “lunar land­scapes” of the Dolo­mites for a con­tem­plative intro­s­pection.

The Saxum images are so pure and striking that it is impos­sible to escape their magnetic aura. They are able to transfer the essence and silent pre­sence of the rocks to the viewer and at the same time reflect the mood of the pho­to­grapher, the alpinist.

With this series of pho­to­graphs, taken over a period of 3 years, Martin Schga­guler explores a phe­no­menon that many hikers expe­rience: The fading of the self-concept through the feeling of com­plete oneness with nature. Since this reaction usually occurs in moments of extreme phy­sical exhaustion, the Saxum pic­tures were also taken in a state of utter fatigue, often at the end of a high-altitude tour:

“The phy­sical effort of hiking in the high moun­tains leads to a kind of tran­s­cen­dence. In such moments we per­ceive nature dif­fer­ently, it is as if we merge with the land­scape and feel — for a moment — as a tiny part of the uni­verse. In the midst of the sublime mountain land­scape, this state can change our per­spective on the world and our own exis­tence. The moun­tains thus also give me spi­ritual impulses and their remo­teness makes them an ideal place for self-reflection and medi­tation.”

Balsam.

The basement of the Schga­guler is another source of con­tem­plation: the holistic approach of the hotel is par­ti­cu­larly soothing in the spa area. Down here, closest to the earth, it is the pure ele­ments of the Dolo­mites that have a deep and tan­gible effect: Water, steam, mud, hay, heat, herbs — and expert, gentle hands.

Yet the Schga­guler is not a classic wellness hotel. Guests rather love the finely balanced spectrum of tra­di­tional and holistic tre­at­ments and, after active hours in the open air, they descend into the healing depths of the hotel, detoxify and rege­nerate in the dry heat of the sauna or in the mud bath, inhale the steam of herbal infu­sions, reac­tivate their spirits in the ice room or in the bubbling whirlpool on the sun deck.

Early birds take quiet swims in the large indoor pool — with or against the current — , greet the day on a sunrise hike or com­plete The Five Tibetans® against a movie-like mountain backdrop. Day­d­reamers and night owls indulge in relaxing mas­sages and the healing sound of Tibetan singing bowls and then lounge, wrapped in a fluffy bathrobe, in the warm silence of the rela­xation room or on the pan­orama terrace and let their gaze wander into the distance or upwards into the evening sky whose stars are within reach. The Schga­guler gives you both, a sense of grounding and wings.

If you’re in the mood for even more peak bliss, let senior host Gott­fried Schga­guler guide you through his fabulous mountain world. He knows every stone, path and breeze in this high alpine terrain. As a trekking and adventure guide, he accom­panies the guests of the Schga­guler through the impressive land­scapes of Sciliar and Alpe di Siusi, Catin­accio, Sella Group, Gardena Pass and Sas­so­lungo. In winter, the glit­tering snowy land­scape inspires skiing, snow­s­hoeing and cross-country skiing tours, at your own pace and in the all-per­vading silence… white noise.

Epi­curus.

Shortly after arriving, the guests of the Schga­guler oscillate some­where in the middle between a stoic rhythm of the day and the Epi­curean phi­lo­sophy of indul­gence. After a tough via ferrata and a gentle steam bath, pure reason dic­tates how a mar­vellous day in the moun­tains should be brought to a grand con­clusion: with a delightful dinner.

Sandra Schga­guler sets the scene in the puristi­cally designed restaurant. Here, the som­me­lière with a pen­chant for excellent wines from the Eisack Valley, Über­etsch and Bolzano, tog­ether with the crew de cuisine, orchestrates gourmet delights.

The cuisine of the Schga­guler is a blend of Italy’s most beau­tiful aspects: recipes from South Tyrolean tra­dition are reinvented with zeit­geist and Medi­ter­ranean gusto to transform the fresh, genuine pro­ducts of the region into poetry for fine palates. Natur­al­mente, with the right wine to go with it.

It is not sur­prising that a new love for the half-board formula has sparked among the guests of the Schga­guler: the idea of a long, cosy breakfast with a view of the mountain and the gourmet treat every evening are just too won­derful. So what’s still missing? A good-night Negroni from bar­tender Peter Stauder. Legendary, made with mountain pine. Stirred, not shaken.

Fluffy clouds.

The whole, full truth is: the Schga­guler tingles soul, gut and senses. Ever­y­thing here — in the most pleasant way — is pro­found: rest, movement, dis­covery, rela­xation, enjoyment, dia­logue and retreat. It offers small moments with a long lasting effect and great adven­tures that lift you up from within. All the while, you feel at ease in the atmo­sphere of a house that has space, sense and sen­si­bility for the needs, wishes and hesi­ta­tions of its guests. Of all guests. This openness reflects in the growing com­munity of “home­comers” who regu­larly come to the Schga­guler: Home to friends, for a good chat, broad views and some fine, heartfelt moments.

Only a few years after its reopening, the house has become much more than a popular hotel. It is so much more because it inten­tio­nally needs so much less. It shows what archi­tecture in its purest form is able to inspire in us: the luxury of living the present moment — to expe­rience it with all our senses. A holiday at the Schga­guler is like walking barefoot on fluffy clouds, because the world here is a gentle place.


Text: Britta Krämer, June 2023

Photos: Martin Schga­guler, Rene Riller

The Hotel

Hotel Das Schga­guler
Das Schga­guler
Hotel Das Schga­guler
At the South Tyrolean Schga­guler Hotel in Cas­tel­rotto at the foot of the Alpe di Siusi, you can admire the amazing trans­for­mation of an 80s building into an elegant modern bou­tique hotel.

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