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Vacancy is a word that wants to be filled with rele­vance. With the “Hap­pening Places”, Munich’s idea architect Gregor Wöltje not only created exciting pro­jects in the Bavarian metro­polis, but also made lasting state­ments with them.

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Wöltje’s World

Vacancy is a word that wants to be filled with relevance. With the “Happening Places”, Munich's idea architect Gregor Wöltje not only created exciting projects in the Bavarian metropolis, but also made lasting statements with them.

by Julia Hauch in January 2025

 Wöltjes Welt in  /

“This is really hap­pening”, in the stairway of the imposing marble staircase of the Baye­rische Staatsbank [Bavarian State Bank] assured all non-believers who doubted for a moment whether they were really in the right place. A hip, tem­porary hotel with a vibrant cul­tural pro­gramme, hidden behind one of the heritage listed façades in Munich’s luxury location? Even the old state bank wouldn’t have expected that.

Once in the lobby, a sub­cul­tural paradise opened up to the guests on 4800 m2 – a light-flooded, artfully wall­pa­pered, pul­sating space with open gal­leries and a ver­tical garden. Full of people, laughing, dis­cussing, dancing and clinking glasses at the bar, vegan street food, small to large con­certs and exhi­bi­tions, pop-up stores and work­shops. Those who wanted to stretch their mind and limbs went to yoga, for con­tem­plative moves to the boxing club, and those who were in the mood for some­thing new went to the barber. Not for­getting the extra­or­dinary design of the hotel rooms.

In short: a place that had never existed before in Munich. Welcome to “The Lovelace – A Hotel Hap­pening”. A breath of fresh air for the city, the intensity of which left us breathless with ama­zement. Ever­y­thing was com­pleted in a very short time and fur­nished to a high standard thanks to renowned design and art col­la­bo­ra­tions, such as the larger-than-life Victory symbol right next to the reception. Two fingers casually stretched upwards, two years of mul­ti­cul­tural hap­pening in the world’s first pop-up hotel. A revo­lu­tionary idea and a success that not only made history but has since written many sequels.

All places are tem­porary places.

One of the three lead nar­rators is Gregor Wöltje, whose passion is still evident when he reports on the rapid creation of “The Lovelace”. What makes a good project for the architect, sus­taina­bility expert and idea creator is its infe­a­si­bility factor. “Actually, we now only get pro­jects on our desk that no one else wants to touch,” laughs the native of Hanover, who grew up in Munich and then, apart from detours around the world, stayed put.  But often the wide world begins right outside one’s own door. Tog­ether with the cul­tural orga­nisers Michi Kern and Lissie Kieser, Gregor has been initiating, deve­loping and designing various Hap­pening Places since 2015, which sound crazy at first and later become indis­pensable.

Always with the aim of creating a third place in a cul­tural or social context where everyone should feel welcome and com­for­table, the creator explains the concept: “The pro­jects of ‘This is really hap­pening’ never have a purely financial aspect, but are meant to show how social enga­gement, culture and pla­ce­making works.” According to Wöltje, nothing is sadder than places that were well-inten­tioned and then later aban­doned because no one visits them. “Our ideas of course have a lot to do with what drives us poli­ti­cally, aes­the­ti­cally and cul­tu­rally, but ulti­m­ately they emerge from the places them­selves, which we don’t want to change .”

We trust the process.

It’s a similar story with his own home. For over twelve years, Gregor Wöltje has lived with his wife Katrein and a colourful patchwork family of seven children and a variety of cats in Pos­sen­hofen on Lake Starnberg. The his­to­rical Villa Fischer, where the empress’ per­sonal phy­sician once lived, was actually the only empty house around Munich at the time that offered enough space for the large family. A happy coin­ci­dence with a lasting summer retreat that is gladly shared with guests. For this purpose, the heritage listed Remise – formerly horse stable and car­riage house – was carefully reno­vated and trans­formed into three har­mo­nious holiday apart­ments, in which great emphasis is placed on sus­taina­bility, design and comfort.

There is no mas­terplan.

The fact that Wöltje can read plans was essential not only for the con­version of his own house, but also for the hotel hap­pening. Otherwise, the gra­duate architect deviates from the classic floor plan. Even during his studies, his unusual pre­sen­ta­tions resembled comic-like mani­festos rather than deadly-serious con­cepts. After a year in archi­tecture practice: tabula rasa. He left the tedious designs behind to create enter­taining stories for MTV, Burger King or Levi’s with his own adver­tising agency. But over the years, the adver­tising world not only inspired plenty of good plots, but also many thought-pro­voking ques­tions.

Since then, the ideas architect has devoted himself exclu­sively to stories in the green sector: “Our world of sus­taina­bility is a world that lacks ideas, aes­thetics and attrac­ti­veness.” A state of affairs that Wöltje wants to change. When he hap­pened to meet his old com­panion Michi Kern again a few years ago, a con­genial co-sto­ryteller was found. Since then the two, tog­ether with partners, have been deve­loping nar­ra­tives for the city that is close to their hearts. First with the “Lost Weekend”, a book café with small, fine live acts, fol­lowed in 2017 by exciting event loca­tions with “The Lovelace” and the sub­se­quent revival of the heritage listed Reit­halle [Riding Arena]. “If the story is good, then it is effective for everyone” – Wöltje knows about the power of sto­rytelling and the catalyst for coope­ration. Ever­y­thing else usually works itself out.

We like to expe­riment.

For example, with “Sugar Mountain”: A prelude to a large-scale planned neigh­bourhood deve­lo­pment, in the middle of the pan­demic a former con­crete factory in Ober­sendling was to be con­verted into a huge leisure and art area. A chal­lenging urban deve­lo­pment project with an appe­aling infe­a­si­bility factor – just the thing for “This is really hap­pening”. Today, Sugar Mountain is a creative urban expe­ri­mental space that invites all Munich resi­dents to par­ti­cipate and interact. Whether it’s skating, playing bas­ketball, spraying graffiti or bould­ering, whether it’s a concert, open-air cinema, flea market or just to be. The mountain of oppor­tu­nities is endless, and the interim use concept has become a per­manent insti­tution. A great benefit for the neigh­bourhood and the whole city.

Ever since my school days, I have had the urge to con­tribute to a good life with good ideas,” recalls Wöltje, who wants to establish a “new normal” with his pro­jects. “The New Normal is an animal-fri­endly, sus­tainable and equal one. Ever­y­thing that can be summed up so nicely under ‘wokeness’. In the majority, we have to make the right decisions. Then the whole thing works itself out anyway. We firmly believe in that.” The way he puts, this spirit of the age sounds any­thing laboured, but rather effer­ve­scent and natural, like an uns­werving and unre­lenting source of energy that wants to make our inter­per­sonal world warmer and livelier.

We cherish the sur­prise.

So, it’s no wonder that there is also a non-profit asso­ciation that has created a very special “hap­pening place” for socially dis­ad­van­taged children and young people. Situated directly on the Bavarian Gold Coast, on one of the most beau­tiful plots of land on Lake Starnberg, the heritage listed Villa Zitzmann, known today as “Villa K”, is a lovingly and artis­ti­cally designed retreat and colourful adventure play­ground with future-relevant content. After being vacant for eight years, the old villa was sup­posed to be trans­formed into a luxury hotel with a large spa and wellness area.

Instead, Ukrainian and German children have been enjoying the pri­celess luxury of a peaceful place since 2022. Here, too, love is in the details from top to bottom, all over the place – from the brightly coloured fur­niture of a former 5‑star hotel to the artis­ti­cally thought-out colour concept of the indi­vidual rooms. In the meantime, the showcase project has been given a 20-year con­tract. Enough time and space to develop further in a well-founded way. These moments are a gift for Wöltje, because of course not ever­y­thing always runs as smoothly and easily as it sounds. Every project is a balancing act between reality, high artistic and archi­tec­tural stan­dards and the budget.

This is just the beginning.

To take a breather in between, they go to the Agger Farm­house to cool down and unwind. With the con­version and extension of an old farm­house and barn on the edge of the Thy National Park, the Wöltjes have created another favourite place, which they share not only with friends but with everyone who app­re­ciates the con­nection with nature. Here, too, the “new normal” can be felt in every corner; it fuses sur­prising archi­tecture, Scan­di­navian sty­listic con­fi­dence and hand-picked art with maximum sus­taina­bility. This includes new ways of seeing and living – as in the “Magic Box” in the con­verted Hayloft, a ver­satile room-in-room solution. As often as pos­sible, Wöltje travels with his family to the wild coast of Denmark to let the salty wind on its endless beaches blow around his exu­berant head.

What the creative ideas activist wants for the future of his hometown is more courage and a new urban deve­lo­pment plan like the one in Copen­hagen: “Where do we want to be in 20 years and what do we have to do to make it work?” In the meantime, Wöltje, Kern and Co.  are waking up sleeping cats. For with the “Fat Cat”, as the volu­minous building in Gasteig  will be called from 2023, the largest sub­culture centre in Europe will open, offering space and oppor­tu­nities for all disci­plines and art forms. There is no question that there are another ground-breaking “Hap­pening Place” is in the works. Where, however, has not yet been revealed. To be con­tinued.


Text: Julia Hauch

Photos: Design Tower Sugar Mountain Munich © pulse adver­tising (Titelfoto), The Lovelace © Thomas Mandl (1) © Thomas Kiewning (2) © Steve Herud (3), Gregor Wöltje © Thomas Dashuber (4), Sugar Mountain Munich © Gregor Wöltje (5), © Thomas Mandl (6) © kicks (7), Villa K © Sebastian Dörken (8), © Thomas Dashuber (9), Agger Farm­house © Tina Ste­phansen (10 — 12)

This article first appeared in our book publi­cation Places & Visions.

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