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For Sale Real Estate: Casa Balat
With Tautes Heim, Katrin Lesser and Ben Buschfeld have created a ren­table museum for archi­tecture and design from the 1920s. In their book “Tautes Heim — Stories & Details”, they allow readers to delve deep into the history of its creation and the design details.

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Book recom­men­dation: Immerse yourself in the world of the 1920s

With Tautes Heim, Katrin Lesser and Ben Buschfeld have created a ren­table museum for archi­tecture and design from the 1920s. In their book “Tautes Heim — Stories & Details”, they allow readers to delve deep into the history of its creation and the design details.

in February 2025

 Buchtipp: Ein­tauchen in die Welt der 1920er Jahre in  /

Tautes Heim [Taut’s Home – a pun on German Trautes Heim Glück allein, meaning Home Sweet Home], a house in the Huf­ei­sen­siedlung [Hor­seshoe Estate] in Berlin-Britz designed in line with the ideals of architect Bruno Taut, claims to be a museum, but func­tions like a holiday home.

After years of meti­culous res­to­ration by land­scape architect Katrin Lesser and designer Ben Buschfeld, the heritage listed end-of-terrace house has con­tinued to won­derfully convey the life­style of the 1920s since 2012.

In their newly published book, the two heritage enthu­siasts describe the story of the res­to­ration, which has won mul­tiple awards, and use 60 interior design objects to paint a vivid pan­orama of that eventful era.

The work, which is divided into two sec­tions and includes 120 illus­tra­tions, impres­sively conveys how the idea of a “tauted” house [an idiom estab­lished by Bruno Taut around 1919; people at the time talked about “tauting” their home], what hurdles had to be overcome, and what makes this World Heritage Site so special.

The stories of indi­vidual pieces of fur­niture and equipment are then used to develop a vivid pan­orama of this eventful era. The objects, each of which is described with a picture and a short text, include well-known design classics from the 1920s as well as typical kitchen utensils, fur­niture with addi­tional uses, and objects with an inte­resting history.

Where no authentic fur­niture was available, the team used their own designs based on his­to­rical pho­to­graphs. The decision-making pro­cesses and details of the res­to­ration are also vividly explained.

The 80-page book, illus­trated with 120 photos, Tautes Heim – Story and  & Details was published by Verlag für Berlin-Bran­denburg (vbb) at the end of January 2025.


Katrin Lesser is a free­lance land­scape architect. She follows in the foot­steps of her great-grand­father Ludwig Lesser, who planned the Fal­kenberg Garden City with Bruno Taut and designed important parks in Berlin and Bran­denburg between 1902 and 1933. One focus of Katrin Les­ser’s work is the pre­ser­vation of garden monu­ments. In addition to con­ducting expert ana­lyses and pre­paring expert reports on the Huf­ei­sen­siedlung and other 1920s deve­lo­p­ments, she has managed many con­s­truction sites and res­to­ra­tions of heritage listed gardens and open spaces in Berlin, Hamburg and Bran­denburg, as well as pre­paring, editing and aut­horing inventory reports, main­tenance plans, genre invent­ories and spe­cialist books on Berlin heritage listed gardens.


Ben Buschfeld runs a studio for graphic, interface and com­mu­ni­cation design. Crea­tively ver­satile, he works as a designer, activist, curator and project author in the field of archi­tecture and heritage edu­cation. He has worked on the “Sied­lungen der Ber­liner Moderne” [Sett­le­ments of Berlin Modernism”] several times: in 2011 he created the exhi­bition at the Info­station Huf­ei­sen­siedlung [Hor­seshoe Estate Infor­mation Centre], fol­lowed in 2015 and 2020 by the archi­tec­tural guide “Bruno Tauts Huf­ei­sen­siedlung” and the website welterbe-siedlungen-berlin.de. Buschfeld is involved in various net­works. He is co-founder of KulturerbeNetz.Berlin and is both a curator and orga­nizer of the “Tri­ennale der Moderne” fes­tival in Weimar, Dessau and Berlin.

Editor: Ulrich Stefan Knoll

Pho­to­graphy: © Ben Buschfeld (except por­trait © David Burg­hardt)

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