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Architect Hendrik Bohle and jour­nalist Jan Dimog from thelink.berlin take us to Great Walser Valley. And tell us how the building culture in the Aus­trian bio­sphere park skilfully com­bines con­tem­porary archi­tecture with mountain tra­dition.

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Natural Archi­tecture: Between tra­dition and inno­vation

Architect Hendrik Bohle and journalist Jan Dimog from thelink.berlin take us to Great Walser Valley. In the first part of the series "On the Road", they tell us how the building culture in the Austrian biosphere park skilfully combines contemporary architecture with mountain tradition.

by Hendrik Bohle in April 2023

 Natur­bau­kunst: Zwi­schen Tra­dition und Inno­vation in  /

Modest, quiet, sus­tainable: The award-winning building culture in the the Great Walser Valley Bio­sphere Park reflects the local attitude to life. A visit to a region that skilfully com­bines con­tem­porary archi­tecture with mountain tra­dition.

The valley is one of the most sparsely popu­lated regions in Austria. Eighteen people live here on one square kilo­metre. On an east-west stretch of 25 kilo­metres, there are six com­mu­nities, forty mountain peaks and just under 3,500 inha­bi­tants.
The valley, carved out by the mountain stream Lutz, was founded in the 13th century by the Walser people, who came from what is now the Swiss canton of Valais. To this day the inha­bi­tants maintain their tra­dition of a life close to nature. Since 2000 the Great Walser Valley Bio­sphere Park has been part of the UNESCO network of one of the 701 model regions in 124 countries that have com­mitted them­selves to a sus­tainable economy and way of life.

The bio­sphere reserve is divided into a deve­lo­pment zone, a buffer zone and a core zone. A good overview is pro­vided by the biosphärenpark.haus in Sonntag, a wooden shingle-clad building on the national highway B88. Ori­gi­nally founded by a coope­rative, it was taken over by the Bio­sphere Park team to inform the public about their work and pro­jects. In the cellar there is a state-of-the-art dairy, where 1,000,000 litres of milk are pro­cessed into high-quality cheese every year. Of course, the raw product comes from grazing cows in the sur­rounding Alps.

Com­bining classic modernity with the tra­dition of wood craft­smanship

The Priory of St. Gerold is the cul­tural nucleus and spi­ritual centre of the valley. In keeping with the Bene­dictine rule of the order, which states that prayer, further edu­cation and manual labour are a holistic path to a ful­filled life, an edu­ca­tional, seminar and cul­tural centre with a guest house and organic farming is located here today. The out­standing archi­tec­tural design of the res­tored buil­dings is the work of Hermann Kaufmann. The Vor­arlberg architect and uni­versity lec­turer is regarded inter­na­tio­nally as one of the leading prot­ago­nists of timber con­s­truction. His archi­tecture is influenced by the ideas of clas­sical modernism and the tra­dition of the wood craft­smanship of his homeland. This approach can be seen in his 1997 magni­fi­cently light arena for the­ra­peutic riding. He prac­ti­cally dis­solved the facades and allowed the slope-par­allel mono-pitch roof to float above the arena. Further con­ver­sions fol­lowed, in which he demons­trated sen­si­tivity down to the smallest detail. Kaufmann sel­ec­tively used wood from the priory’s own forest. His modi­fi­ca­tions form a con­trast to the his­toric building and at the same time respect its sub­s­tance.

Everyone who comes here senses this, as Father Kolumban Reichlin, the project manager, explains to me during my tour:

“The guests are moved by the atmo­sphere of this place. They are thrilled by the archi­tecture and the way in which the new cor­re­sponds with the old.”

Father Kolumban Reichlin, Priory of St. Gerold

More modest are the works of the young architect Martin Mac­kowitz. His culture pavilion at the Blu­menegg Castle Ruins is made of simple mate­rials and breathes new life into the more than 700-year-old stone without inter­fering with the existing structure. Ever­y­thing can be removed again. At the same time, the place has become a cul­tural hotspot in the valley. The “Friends of the Castle” Asso­ciation has been working on the res­to­ration of the ruins since 2007. Mac­kowitz is one of the initiators of many smaller pro­jects in the valley.

Archi­tec­tu­rally sophisti­cated com­munity centres with mul­tiple uses

A region as sparsely popu­lated as the Great Walser Valley requires alter­native ideas to ensure a func­tioning infra­structure for the people. There are six kin­der­gartens, six primary schools and one secondary school. Eight regional shops supply the com­mu­nities with pro­ducts from the region. The public transport network has been expanded. Another key factor is the com­munity centres, most of which have more than one use.

The Ludesch Com­munity Centre, for example, which opened in 2005, was a pio­neering project in Europe. The building, designed by Hermann Kaufmann, has received several awards.
As in the entire valley, envi­ron­mental thinking has a long tra­dition here. In 1994 the
local admi­nis­tration decided to join the Inter­na­tional Climate Alliance. In 1995, a review was carried out on the con­dition and energy con­sumption of the local buil­dings. The fin­dings of this led to a funding model for energy saving mea­sures, which was set up in 1997. In 1998 Ludesch became a member of the “e5- programme”of the pro­vince of Vor­arlberg, an initiative for the qua­li­fi­cation and awards for energy-effi­cient muni­ci­pa­lities. Further com­munity centres were built along these lines in St. Gerold, Blons and Raggal.

The Great Walser Valley shows how, with sus­tainably imple­mented visions and with a skilful linking of func­tions, sus­tainable planning with a high quality of life can be achieved, espe­cially in struc­tu­rally weak regions.

Author: Hendrik Bohle, thelink.berlin

Photos: © Jan Dimog, thelink.berlin (Cover, 1, 2, 8 — 10) / © Hendrik Bohle, thelink.berlin (3 — 7) / © Heike Albrecht (11)


Author info:

Architect Hendrik Bohle runs a digital magazine on building culture tog­ether with jour­nalist Jan Dimog. On thelink.berlin they have been telling about their dis­co­veries in Europe for years, espe­cially about the con­nec­tions between people and archi­tecture.
When they are not on the road, they curate high-profile exhi­bi­tions, such as the tra­velling exhi­bition on Arne Jacob­sen’s archi­tecture.


The Great Walser Valley is easy to reach from our partner houses in Mellau, Schnepfegg, Schop­pernau or Vandans.

Apartment Tempel 74
Tempel 74
Apartment Tempel 74
Temple 74 in Mellau in the Bregenz Forest is a project by Evi and Jürgen Haller. The Tempel 74 apartment buil­dings too skilfully combine tra­dition and modernity, as well as superb archi­tecture and craft­smanship.
Hotel Hotel Bären
Hotel Bären
Hotel Hotel Bären
The Hotel Bären in the village square of Mellau in the Austria’s Bre­gen­zerwald is one of the few stone houses within a village cha­rac­te­rized by wooden houses. Its new owners have breathed new life into the tra­di­tional house, which dates to 1872.
Holiday home Wene­frieda
Wene­frieda
Holiday home Wene­frieda
Wene­frieda is a typical repre­sen­tation of the modern timber archi­tecture the Vor­arlberg pro­vince in western Austria is famous for. This long­house-style holiday home is based on the tra­di­tional buil­dings of the Bre­gen­zerwald forest.
Holiday home Bene­dikta
Bene­dikta
Holiday home Bene­dikta
The Bene­dikta holiday home in the village of Vandans in the sou­thern part of Vor­arlberg is a typical Mon­tafon house. The building from 1836 was dis­mantled in accordance with monument pre­ser­vation regu­la­tions.

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