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For Sale Real Estate: Casa Balat
Stairs are more than just func­tional tran­si­tions – they structure spaces, add design high­lights and lend buil­dings their own cha­racter. Whether in con­verted farm­houses or former court­houses, they always bring a sense of movement to archi­tecture.

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Houses

Designed by archi­tects for travel enthu­siasts: Our curated coll­ection of out­standing holiday acco­mo­da­tions — also via map. Do you already know our new entry?

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Step by step – Spot­light on Stairs

Stairs are more than just functional transitions – they structure spaces, add design highlights and lend buildings their own character. Whether in converted farmhouses or former courthouses, they always bring a sense of movement to architecture.

in July 2025

 Stufe für Stufe – Treppen im Fokus in  /

Passa Tempo

Italy // Marche

At Passa Tempo, a sculp­tural steel staircase marks the tran­sition from rural country house to con­tem­porary living space. The typical farm­house in the hilly Marche region has been con­verted into a generous retreat by archi­tecture firm mgark. At its centre: a void extending across three floors that echoes its former use as a stable. A free­standing steel staircase has been inserted into this space, winding its way up the centre of the room like a sculp­tural element. It replaces the pre­vious exterior staircase and links the house’s com­munal areas with the private retreats above. All around: the untouched land­scape between Osimo and Mon­tefano – a quiet co-player in the archi­tec­tural com­po­sition.

More about Passa Tempo

Amtsalon

Germany // Berlin

A former court­house trans­formed into a venue for art and cul­tural pro­jects – this is the Amtsalon in Berlin. The listed building with a green backyard is located on Kant­strasse in Berlin’s Char­lot­tenburg dis­trict and was built in 1896. Grüntuch Ernst Archi­tekten have carefully trans­formed it into a mul­ti­di­sci­plinary project space. Twenty rooms of varying sizes, the foyer, and the imposing his­to­rical staircase are now available for exhi­bi­tions and events. For a time, the building also housed Showroom 79 of lumi­naire manu­fac­turer Bocci – the spec­ta­cular lighting instal­lation in the stairwell has remained: hundreds of glowing glass spheres reinterpret the baroque fabric of the building and turn the ascent into an almost medi­tative expe­rience.

More about Amtsalon

The Long House

England // Norfolk

At The Long House by Hopkins Archi­tects, a timber spiral staircase becomes the sculp­tural cen­tre­piece of a holiday home on England’s east coast. The free­standing stairs connect the ground floor with a gallery level in the house’s open main space. Encased in a cylind­rical timber volume, it feels like a piece of fur­niture, fitting seam­lessly into the mini­malist spatial concept while lending the central hall a sense of almost sacred calm. Its gentle curve stands in con­trast with the building’s strict geo­metry – and thus appears to be a calm anchor point in the open space.

More about The Long House

Villa Win­ternitz

Czech Republic // Prague

In Villa Win­ternitz, built in 1932, Adolf Loos imple­mented his cha­rac­te­ristic “Raumplan” – a concept that breaks with tra­di­tional floor levels in favour of a flowing system of interlo­cking spatial volumes and ceiling heights. The staircase plays a key role in this: rather than simply leading from the bottom to the top, it reveals a con­ti­nuous spatial structure. From an incon­spi­cuous side ent­rance, a first staircase leads to the double-height salon, the heart of the villa. Further stairs lead almost imper­cep­tibly to the study, dining room and sleeping areas, each with dif­ferent ceiling heights. Ope­nings in the walls reveal sur­prising sight­lines, some­times across several levels. To this day, Villa Win­ternitz offers a vivid expe­rience of how Loos created a new under­standing of space – modern, func­tional and ahead of his time.

More about Villa Win­ternitz

La Casa di Bru

Italy // Apulia

Life in sou­thern Italy largely takes place out­doors. In this spirit, La Casa di Bru fea­tures an exterior flight of stairs that leads to one of the main house’s most beau­tiful spots: the rooftop terrace, with views over olive groves and the Apulian land­scape. Here, guests can enjoy the sunset or simply soak in the tran­quillity of the sur­roun­dings. The narrow, irre­gular steps give the stairs a hand­crafted cha­racter, typical of the region. The white­washed steps appear to grow directly from the wall – making the stairs a charming detail that enhances La Casa di Bru’s special atmo­sphere.

More about La Casa di Bru

Casa Raslei

Switz­erland // Ticino

Dis­mantling rather than new con­s­truction: With simple means, Buchner Bründler Archi­tekten have pre­served the identity of a site steeped in history. Casa Raslei is an ensemble of old stone houses nestled in the wild land­scape of the Onsernone Valley. The buil­dings stood empty for almost ten years before being trans­formed into a habi­table retreat with a summer house, a winter parlour, and a bath­house. The formerly frag­mented layout of the summer house was opened up to form a two-storey hall, allowing indi­vidual ele­ments to stand out like objects. Par­ti­cu­larly striking: the in-situ con­crete stairs, which now lead to nowhere – and gains its sculp­tural pre­sence pre­cisely because of this.

More about Casa Raslei

Denkmal Karl­stadt

Germany // Middle Fran­conia

At Denkmal Karl­stadt, a newly built staircase replaces a demo­lished part of the building – and becomes a walkable artwork. Architect Alfred Wiener and the artist duo Mutsuo Hirano and Thomas Lange designed the stairwell as a deli­berate con­trast to the craft­smanship of the 16th century. On the way up from the café on the ground floor to the two holiday flats above, visitors encounter rising, expressive colour gra­dients,  mostly created with lime casein paints on exposed con­crete with formwork marks and a balus­trade made of wooden picture panels. Over time, the work will develop a patina – and thus become part of the house’s own history.

More about Denkmal Karl­stadt

Jardin Urbain Paris

France // Paris

As part of a compact urban ensemble with stacked resi­dential units, the apartment Jardin Urbain Paris wel­comes guests via an open con­crete staircase. An archi­tec­tural high­light is the can­ti­le­vered con­crete staircase inside – built without risers, it appears light and almost floating. It con­nects the spa­cious living area on the ground floor with the more private bed­rooms and workspace ups­tairs, while its clean con­tours emphasise the apartment’s loft-like cha­racter. The interplay of raw con­crete on the lower floor and warm wood on the upper level creates a clear yet exciting con­trast of mate­rials.

More about Jardin Urbain Paris

Kuća Skala

Croatia // Novigrad

Kuća Skala – the “House of Stairs” – is a narrow 1930s building in Dal­matia, con­verted by architect and designer Boris Kajmak. Like a ver­tical loft, four open levels are stacked above one another. At its core: a black steel staircase. It pro­vides access to the rooms while also serving as sculpture, shelf, and seating. Inspired by the step-filled streets of Novigrad’s his­toric centre, the staircase takes on a starring role here, too. “Moving between the four levels on the black steel stairs is a pleasure,” a guest writes, “like strolling through an exhi­bition.”

More about Kuća Skala

Grams Gård

Sweden // Österlen

In Grams Gård, a former farm­stead in Sweden’s sou­thern coastal region of Skåne, the con­version into a holiday home has been achieved with finely com­posed tran­si­tions. The Swedish-British archi­tecture duo Ia Hjärre and Andy Nett­leton created a con­crete staircase in the main apartment that leads from the open-plan living area to the attic, which pro­vides three bed­rooms. The raw flight of stairs con­trasts deli­berately with the his­to­rical structure. The former hayloft – now a 50-square-metre studio – is accessed from the cour­tyard via a steel staircase. Light and almost floating, it con­nects the levels with ease, blending natu­rally into the overall archi­tec­tural com­po­sition.

More about Grams Gård

Text / Com­pi­lation: Chris­tiane Wei­demann & Anne-Birga Niepelt

Photos: Jukan Tateisi via unsplash.com (Cover picture), Matteo Nata­lucci Studio (Passa Tempo), Ansgar Schwarz & Nilos Frakou (Amtsalon), Living Archi­tecture UK (The Long House), David Cysar, Karolina Koš­ti­alová & Tereza Kun­derová (Villa Win­ternitz), Maxi­milian Pohler (La Casa di Bru), Georg Aerni (Casa Raslei), Jochen Schreiner (Denkmal Karl­stadt), Frank Salama (Jardin Urbain Paris), Tom de Gay (Kuća Skala), Ake E:Son Lindman (Grams Gård)

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